Small Press fiction book club

Small Press will be meeting on October 24th at 7 pm; we’ll be reading Don’t Look Now by Daphne du Maurier. It is published by NYRB: “New York Review Books brings together some of the finest writing in science, philosophy, history, politics, the arts, and literature from the Review’s contributors along with new fiction and nonfiction [...]”

About the book:

Classic horror stories by one of masters of the form. Full of bone-chilling tales, this collection includes "The Birds," the basis for the Alfred Hitchcock film of the same title, and other creepy classics. 

Daphne du Maurier wrote some of the most compelling and creepy novels of the twentieth century. In books like Rebecca, My Cousin Rachel, and Jamaica Inn she transformed the small dramas of everyday life—love, grief, jealousy—into the stuff of nightmares. Less known, though no less powerful, are her short stories, in which she gave free rein to her imagination in narratives of unflagging suspense.

Patrick McGrath’s revelatory new selection of du Maurier’s stories shows her at her most chilling and most psychologically astute: a dead child reappears in the alleyways of Venice; routine eye surgery reveals the beast within to a meek housewife; nature revolts against man’s abuse by turning a benign species into an annihilating force; a dalliance with a beautiful stranger offers something more dangerous than a broken heart. McGrath draws on the whole of du Maurier’s long career and includes surprising discoveries together with famous stories like “The Birds.” Don’t Look Now is a perfect introduction to a peerless storyteller.

Small Press Book Club will be meeting on Tuesday, November 19th, at 7 pm. We will be reading The Apple in the Dark by Clarice Lispector, translated by Benjamin Moser. It is published by New Directions, an independent book publishing company founded in 1936.

About the book:

“It’s the best one,” Clarice Lispector remarked on the occasion of the publication of The Apple in the Dark: “I can’t define it, how it is, I can only say that it’s much better constructed than the previous ones.” A book in three chapters, with three central characters, The Apple in the Dark is in fact highly sculpted, while being chiefly a metaphysical book, and in this stunning new translation, the novel’s mysteries and allegories glow with a fresh scintillating light.

Martim, fleeing from a murder he believes he committed, plunges into the dark nocturnal jungle: stumbling along, in a state of both fear and wonder, eventually he comes to a remote, quiet ranch and finds work with the two women who own it. The women are tranquil enough before his arrival, but are affected by his radical mystery. Soaked through with Martim’s inner night (his soul is in the darkness where everything is created), the novel vibrates with his perpetual searching state of vigil. Often he feels close to an epiphany: “for the first time he was present in the moment in which whatever is happening is happening.” Yet such flashes flicker out, so he’s ever on the watch for “life to take on the dimensions of a destiny.”

In an interview, Lispector once said: “I am Martim.” As she puts it in The Apple in the Dark: “All I’ve got is hunger. And that unstable way of grasping an apple in the dark—without letting it fall.”